Atamasthana refers to the eight sacred sites in Anuradhapura, Sri Lanka, revered by Buddhists.
These sites include stupas, monasteries, and other landmarks significant in Buddhist tradition and pilgrimage, reflecting the city's ancient spiritual heritage./p>
Jaya Sri Maha Bodhi (Sinhala:ජය ශ්රි මහා බොධිය) is a Sacred Fig tree in Anuradhapura, Sri Lanka. It is said to be the southern branch from the historical Bodhi tree Sri Maha Bodhi at Bodh Gaya in India under which Lord Buddha attained Enlightenment. It was planted in 288 BC,and is the oldest living human-planted tree in the world with a known planting date.Today it is one of the most sacred relics of the Buddhists in Sri Lanka and respected by Buddhists all over the world.
The other fig trees that surround the sacred tree protect it from storms and animals such as monkeys, bats, etc.
In the 3rd century BC, it was brought to Sri Lanka by Sangamitta (Pali; Skt.: Sanghamitra) Thera, the daughter of Emperor Asoka and founder of an order of Buddhist nuns in Sri Lanka. In 288 BC [6][7][8][9] it was planted by King Devanampiya Tissa on a high terrace about 6.5 m (21.3 ft) above the ground in the Mahamevnāwa Park in Anuradhapura and surrounded by railings.
Several ancient kings have contributed in developing this religious site. King Vasabha (65 – 107 AD) placed four Buddha statues in four side of the sacred tree. King Voharika Tissa (214 – 236 AD) added metallic statues. King Mahanaga (569 – 571 AD) constructed a water canal around the sacred tree and King Sena II (846 – 866 AD) renovated it.
The present wall was constructed by Ilupandeniye Athtadassi Thero during the reign of King Kirti Sri Rajasinha, to protect it from wild elephants which might have damaged the tree. The height of the wall is 10 ft (3.0 m); and 5 ft (1.5 m) in thickness; its length from north to south is 388 ft (118.3 m) and from east to west 274 ft (83.5 m).
The first golden fence around the sacred tree was constructed by some Buddhist followers in Kandy under the guidance of Yatirawana Narada Thero in 1969. The iron fence below the above golden fence was created by people of Gonagala under the guidance of Yagirala Pannananda Thero.
Two statues of Lord Buddha can be seen in the image-house; a stone-standing-statue is in the right side of the stone wall. The cobra-stone is a very rare creation, showing the embossed figure of cobra. Several monolith heads with plain incisions are in this religious site.
Ruins of an ancient building called Mayura Pirivena (Mayura Monastery) have been found to the south-west of the Jaya Sri Maha Bodhi and the ruins of a stupa called Dakkhina Tupa (Southern Monastery) can be seen nearby.
According to the ancient chronicles in Sri Lanka, some walls and terraces had been built surrounding the sacred tree on some occasions in the past. Mahavamsa states that King Gothabhaya (249 – 262 AD) had built a rubble wall and Dipavamsa reports about a rock-laid terrace and a lattice wall built by King Kirthi Sri Meghavarna (302 – 330 AD).
The above facts have already been established. While digging the earth for the purpose of reconstructing the present wall recently, a rubble wall with its foundation created by King Gotabhya and a rock-laid terrace together with a lattice wall constructed by King Kirthi Sri Meghavarna were found. These findings were preserved at places where they were and are now opened to public since January 2010.
The Ruwanwelisaya is a stupa in Sri Lanka, considered a marvel for its architectural qualities and sacred to many Buddhists all over the world. It was built by King Dutugemunu c. 140 B.C., who became lord of all Sri Lanka after a war in which the Chola King Elara, was defeated. It is also known as Mahathupa, Swarnamali Chaitya, Suvarnamali Mahaceti (in Pali) and Rathnamali Dagaba.
This is one of the Solosmasthana (the 16 places of veneration) and the Atamasthana (the 8 places of veneration in the ancient sacred city of Anuradhapura). The stupa is one of the world’s tallest monuments, standing at 338 feet (103 m) and with a circumference of 950 ft (290 m).
The Kaunghmudaw Pagoda in Sagaing, Myanmar is modeled after this stupa.
The ancient texts recount the following:
King Dutugemunu began the work of building the stupa during Vesak, on the full-moon day of the month of Vesakha (April–May), under the constellation of Visakha. In Buddhism this is considered a sacred full-moon day on which numerous events occurred, such as:
On such a full-moon day King Dutugemunu had the inscribed stone pillar that was erected by King Devanampiya Tissa, removed;
had the site leveled;
had it dug to a depth of seven cubits;
had round stones spread there by warriors;
and had the stones broken with hammers;
then he had them stamped down by elephants;
fine clay was brought from the Himalayas by Arahant novices, spread over the layer of stones;
had bricks laid over the fine clay, rough plaster over the bricks, quartz over the rough plaster, a network of iron over the quartz, fragrant clay over the network of iron, white stones over the fragrant clay, rock-crystal over the white stones, and slabs of stones over the rock-crystal.
Then he had mercury, resin of the wood-apple, and fine clay mixed together; had these spread over the slabs of stones; and had bronze sheets eight inches thick laid over these.
He had arsenic and sesame oil mixed together; had these spread over the bronze sheets; and had silver sheets four inches thick laid over these.
When the king had thus built and completed the foundation of the Great Stupa, he arranged that the foundation stone should be laid on the full-moon day of the month of Āâsàëha (June–July).
He then had Anuradhapura decorated like a divine city along with the terrace of the Great Stupa. Ninety-six koñis of Arahants came by from Australian On the full-moon day of the month of Āsāëha, under the constellation of Uttarā-sāëha, he laid the foundation-stone of the Great Stūpa and determined: ‘Should the work I carry for this Stupa be completed safely, may then the Venerable Arahants Buddharakkhita, Dhammarakkhita, Saïgharakkhita and Ānanda arrive and stand at the four quarters of the Great Stupa’s terrace.’
This happened as he determined. The Arahant Indagutta arranged that it should thus happen. In addition, the Venerable Arahants, Siddhattha, Maïgala, Paduma, Sivalī, Candagutta, Indagutta, Suriyagutta, Cittasena, Jayasena, and Acala looking eastwards arrived and stood in front of the pitcher placed at the gate of this festive occasion. Supatiñhita, the son of Nandisena and Sumana devi, and the minister appointed for the festive ceremonies, walked around the relic-chamber and went and brought a staff made of silver for measuring the circular boundary of the Stupa. When Arahant Siddhattha saw the minister walking thus around the relic-chamber and measuring too large dimensions, he ordered him to measure moderate ones. On hearing the name of Arahant Siddhattha, the names of the eleven other Arahants, and the name of the minister and his parents, king Dutugemunu felt particularly glad, thinking: ‘The work on the Stūpa will certainly be successful.’
He then had eight large water pots of gold and eight of silver placed in the midst of the Great Stupa, and had a hundred and eight vases placed around the large water pots. He had, likewise, eight bricks of gold placed in eight corners and a hundred and eight bricks of silver around each of the bricks of gold.
Arahant Cittasena placed a lump of fragrant resin in the east side upon the boundary line drawn around the Great Stūpa. Arahant Jayasena sprinkled scented water over it, and when, under the constellation of Uttarāsāëha, Supatiññhita, the minister for the festive ceremonies, placed bricks of gold together with lavish offerings over the scented water.
It is said that: the earth, all of two hundred seventy thousand yojanas, roared and quaked at that time.
He had through his sons, similarly, placed bricks of gold in the other seven sides of the Great Stupa. Afterwards, king Dutugemunu and the people there honoured with gifts the Arahants who were seated at the four quarters, and took themselves seats to hear a Dhamma talk delivered that day by the great Arahant Piyadassī.
Having heard it, forty thousand people became Arahants, forty thousand were established in the fruit of stream-entry (sotāpatti-phala), a thousand became once-returners (sakadāgamis), and a thousand became non-returners (anāgamis). Eighteen thousand monks and fourteen thousand nuns became Arahants.
After The Buddha’s Parinibbāna, His relics were enshrined and worshipped in stupas by Princes of eight countries two quarts in each country. The two quarts of relics that were enshrined in the village Rāmagāma were, according to The Buddha’s determination, destined to be enshrined in the Great Stūpa Ruvanveli.King Dutugemunu who, on the full-moon day of the month of Āsāëha (June–July), under the constellation of Uttarāsāëha, would officiate in the ceremony for the enshrining of the relics in the Great Stūpa, worshipped the Sangha (Order of monks) on the day before the full-moon day, reminded them that tomorrow is the appointed day for the enshrining of the relics and requested them to give him the relics. The Saïgha ordered then the novice Arahant Soõuttara, who was gifted with the six supernormal faculties, to bring the relics, which Arahant Soõuttara manages to bring and offer to the Sangha.
Then king Dutugemunu received from the Sangha the Buddha’s relics upon his head in a casket and departed from the golden pavilion in the midst of manifold offerings and honours made by gods and Brahmas. He circumambulated the relic-chamber three times, entered to it from the east, and when laid the relic-casket on a silver couch one koñi worth, that was arranged in the north side. An image of the Buddha was then, according to the Buddha’s determination, created in the lion’s reclining posture (sīhaseyya), and all the relics were enshrined within that image. When the enshrining of the relics in the Great Stūpa Ruvanveli was completed, the two novices Uttara and Sumana closed the relic-chamber with the stone-blocks that were previously hidden to be used as a lid.
In the Thupavamsa numerous types of beings attended the enshrinement of the relics into the Mahathupa; including the Naga king Mahakala who until recently guarded them. The relics were to be placed atop a golden throne crafted by Visvakarman the divine artificer; the throne brought by Indra. Brahma offers his invisible umbrella of sovereignty, with the king Dutthagamani offering his own. The arhat Indagutta creates a metal canopy over the universe, so that Mara will not interfere, as monks chanted the sutra pitaka. Dutthagamani ceremoniously enters with the urn atop his head; but as he is about to place the urn on the golden throne, the relics rise into the air and form Buddha, with each of the 32 major signs and 8 lesser signs of a great man. In this form he performs the twin miracle of fire and water, fulfilling the fifth of his death bed resolutions. One hundred and twenty million gods and humans gain arhatship from this experience. The relics return to the urn and they are laid to rest and the chamber sealed with forty meter stone slabs.
“The relic-chamber shall not shake even by an earthquake; flowers such as jasmine that were offered on that day shall not wither till the end of Buddha Gotama’s Dispensation; the lamps that were kindled with ghee-oil shall not be extinguished; the clay that was mixed with perfume and sandalwood shall not dry; even a single scratch shall not appear within the relic-chamber; stains shall not appear in any of the golden goods that were offered.’ All this occurred by the determination-power of all Arahants present. They determined also that inimical persons should not be able to even see the relic-chamber. Furthermore, by order of king Dutugemunu, the people of Srī Lanka enshrined, along with many other objects such as golden and silver caskets, thousand more of the Buddha’s relics over the relic-chamber.”
When the unique Great Stūpa Ruvanveli was completed as far as the square turret 10, and while ninety-six koñis of Arahants were chanting protective suttas, the great king Dutugemunu who reigned in Srī Lanka for twenty-four years, had his record of meritorious deeds read and, while looking at the Great Stūpa, he died and was born as a divine king in the Tusita-heaven. His brother, the king Saddhatissa, completed the remaining work at the Great Stūpa and later was also born in the Tusita-heaven.
Thuparamaya is a dagoba in Anuradhapura, Sri Lanka. It is a Buddhist sacred place of veneration.
Mahinda Thera, an envoy sent by King Ashoka himself introduced Theravada Buddhism and also chetiya worship to Sri Lanka. At his request King Devanampiyatissa built Thuparamaya in which was enshrined the collarbone of the Buddha. It is considered to be the first dagaba built in Sri Lanka following the introduction of Buddhism. This is considered the earliest monument, the construction of which was chronicled Sri Lanka. The name Thuparamaya comes from “stupa” and “aramaya” which is a residential complex for monks.
Thuparamaya dagoba has been built in the shape of a bell. This dagoba was destroyed from time to time. During the reign of King Agbo II it was completely destroyed and the King restored it. What is seen presently is the construction of the dagoba, done in 1862 AD. As of today, after several renovations, in the course of the centuries, the monument has a diameter of 59 ft (18 m), at the base. The dome is 11 feet 4 inches (3.45 m) in height from the ground, 164½ ft (50.1 m) in diameter. The compound is paved with granite and there are 2 rows of stone pillars round the dagaba. During the early period vatadage was built round the dagoba.
Lovamahapaya is a building situated between Ruvanveliseya and Sri Mahabodiya in the ancient city of Anuradhapura, Sri Lanka. It is also known as the Brazen Palace or Lohaprasadaya because the roof was covered with bronze tiles.
In ancient times, the building included the refectory and the uposathagara (Uposatha house). There was also a simamalake where the Sangha assembled on Poya days to recite the sutra of the confessional. The famous Lohaprasada built by King Dutugemunu, described as an edifice of nine stories, was a building of this class. One side of the building was 400 ft (120 m) in length. There are 40 rows, each row consisting of 40 stone pillars, for a total of 1600 pillars. It is believed that it took six years for the construction of the building and the plan was brought from the heavens. The building was completely destroyed during the reign of King Saddhatissa. The small building in the center is late construction and is the Venue of Uposatha (chapter house) of the Maha Vihara even now.
Abhayagiri Vihāra was a major monastery site of Theravada and Mahayana Buddhism that was situated in Anuradhapura, Sri Lanka. It is one of the most extensive ruins in the world and one of the most sacred Buddhist pilgrimage cities in the nation. Historically it was a great monastic centre as well as a royal capital, with magnificent monasteries rising to many stories, roofed with gilt bronze or tiles of burnt clay glazed in brilliant colors. To the north of the city, encircled by great walls and containing elaborate bathing ponds, carved balustrades and moonstones, stood “Abhayagiri”, one of seventeen such religious units in Anuradhapura and the largest of its five major viharas. One of the focal points of the complex is an ancient stupa, the Abhayagiri Dagaba. Surrounding the humped dagaba, Abhayagiri Vihara was a seat of the Northern Monastery, or Uttara Vihara.
The term “Abhayagiri Vihara” means not only a complex of monastic buildings, but also a fraternity of Buddhist monks, or Sangha, which maintains its own historical records, traditions and way of life. Founded in the 2nd century BC, it had grown into an international institution by the 1st century AD, attracting scholars from all over the world and encompassing all shades of Buddhist philosophy. Its influence can be traced to other parts of the world, through branches established elsewhere. Thus, the Abhayagiri Vihara developed as a great institution vis‑a‑vis the Mahavihara and the Jetavana Buddhist monastic sects in the ancient Sri Lankan capital of Anuradhapura.
The Jetavanaramaya (Sinhala:ජේතවනාරාමය) is a stupa, located in the ruins of Jetavana Monastery in the sacred world heritage city of Anuradhapura, Sri Lanka. King Mahasena (273–301 AD) initiated the construction of the stupa following the destruction of Mahavihara. His son Maghavanna I completed the construction of the stupa. A part of a sash or belt tied by the Buddha is believed to be the relic that is enshrined here.
The structure is significant in the island’s history for it represents the tensions within the Theravada and Mahayana sects of Buddhist monks, it is also significant in world history as one of the tallest structures in the ancient world.The height of the stupa is 400 feet (122 m)[citation needed] and was the tallest ancient stupa in the world, the structure is no longer the tallest however it is the largest with a volume of 233,000 m2 (2,508,000 sq ft). At the time of its completion the structure was the third tallest structure in the world behind the Great Pyramids of Giza. Approximately 93.3 million baked bricks were used in its construction; the engineering ingenuity behind the construction of the structure is a significant development in the history of the island. The sectarian differences between the Buddhist monks also are represented by the stupa as it was built on the premises of the destroyed Mahavihara, which led to a rebellion by a minister of king Mahasena.
This stupa belongs to the Sagalika sect. The compound covers approximately 5.6 hectares and is estimated to have housed 10,000 Buddhist monks. One side of the stupa is 576 ft (176 m) long, and the flights of stairs at each of the four sides of it are 28 ft (9 m) wide. The doorpost to the shrine, which is situated in the courtyard, is 27 ft (8 m) high. The stupa has a 8.5 m (28 ft) deep foundation, and sits on bedrock. Stone inscriptions in the courtyard give the names of people who donated to the building effort.
Following king Jettha Tissa’s death his brother Mahasena was consecrated as king by monk Sanghamitta, under the monk’s influence king Mahasena brought about a campaign against orthodox Theravadins dwelling in Mahavihara.The differences between the orthodox Theravadins and heterodox Mahayanists escalated to an extent to which a penalty was established to any person providing alms (food) to monks dwelling in Mahavihara. The Mahavamsa quotes Sanghamitta: `The dwellers in the Mahavihara do not teach the (true) vinaya, we are those who teach the (true) vinaya, O king’,.
The Mahavihara was eventually abandoned. The monks dwelling at the premises moved to Malaya and Ruhuna, this followed by the pillaging of Mahavihara by Snaghamitta and minister Sona, all valuable were transferred to Abhayagiri vihara. The pillaging prompted a rebellion by minister Meghavannabhaya, the minister raised an army from Malaya and set camp by the Duratissaka tank.[4] King Mahasena marches an army to meet minister Meghavannabhaya, where negotiations ensue the night before the battle and the king apologizes for the pillaging and agrees to build a vihara at the grounds of Mahavihara, the Mahavamsa quotes the king: I will make the vihara to be dwelt in yet again; forgive me my fault,’. Sanghamitta was assassinated by a labourer on the instructions of a wife of the king, following his demise and the construction of parivena by Meghavannabhaya marked the return of monks to the site of Mahavihara.
Thus the construction of Jetavanaramaya began and offered to the monk Tissa, but the monk was accused of a grave offence upon investigation and proof by a minister, monk Tissa was disrobed and expelled from the order. The dakkinagiri monks were then entrusted with the premises of Jetavana Vihara.
As the largest ancient stupa constructed and one of the tallest ancient structures in the world, the structural ingenuity and engineering skills employed for the construction are significant. The foundations of the structure were 8.5m deep and the size of the structure required bricks which could withstand loads of up to 166 kg.The solid foundation lay on bed-rock and the dome was constructed of full and half bricks and earth fill, the unique shape of a perfect ellipsoid allowed for stress and thus allowed the construction of the large structure.The Mahavamsa describes the foundation laying, where fissures were filled with stones and stamped down by elephants whose feet were protected with leather bindings. The bricks used for the construction were a significant development of ancient Sri Lankan engineering, the bricks used for Jetavanaramaya had a composition of 60 percent fine sand and 35 percent clay, the bricks could withstand 281 kg/in2.Linear elastic finite element analysis under self weight produced a maximum compressive stress of 839 kPa at the bottom centre, thus the maximum stress in the dome is ten times less than what the bricks could withstand.
Finely crushed dolomite lime stone, sieved sand and clay provided the bonding material for the bricks. The clay employed was pliable and thus accommodates movement within the structure. One of the sides of the brick was roughened to trap the bonding slurry thus limiting lateral movement.The stupa was then covered with lime plaster; the plaster used contained seashells, sugar syrup, egg whites, coconut water, glues, oils, plant resin, sand, clay and pebbles. The plaster also provided waterproofing for the structure. The Mahavamsa also mentions the use of copper sheets over the foundation and arsenic dissolved in sesame oil to prevent insect and plant intrusions inside the stupa. It is estimated that Jetavanaramaya took 15 years to complete and would have required a skillful workforce of hundreds, including brickyard workers and bricklayers, and stonemasons.
The Jetavanaramaya was under the monks of the Sagalika sect. The Sagalica sect was closely linked with the Abhyagiri viharaya. Towards the end of the Anuradhapura period, Jetavana had developed into one of the three fraternities of the island along with Mahavihara and Abhyagiriya. The fraternities were united during the reign of King Parakramabahu I. A pasada constructed by King Sena I was destroyed by fire. King Agghabodhi VI constructed and added a new pasada. Chola invaders during the reign of king Udaya IV destroyed the gold images of Buddha by King Sena. Repairs were completed by King Mahendra IV. Juma, a Sri Lankan merchant, presented King Silakala with a Mahayana book Dhammadatu brought from Benares. King Silakala held a festival annually in celebration of Dhammadatu. Monks of Mahavihara have boycotted the festivals, citing the Mahayana origins of the book, but were later persuaded by Abhayagiri monks to participate in the festivities. The leadership of the Mahavihara was later accepted during the reign of King Aggabodhi I, following the defeat of a public debate between the monks.
Until 1909 the colossal structure was covered with shrub jungle. Monk Kumbuke Dhammarama of Sailabimbaramaya temple of Gammanpita received approval to clear the stupa and the court from the Atamasthana committee. The approval was subsequently canceled as the monk decided to settle down. Palannaruwe Sobita thereto sought and received permission to continue clearing the premises but approval was once again canceled when the monk initiated the collection of contributions. However, the monk refused to leave; in the legal procedures which ensued he was forced to leave.
The Mirisaveti Stupa is situated in the ancient city of Anuradhapura, Sri Lanka.King Dutugamunu built the Mirisaveti Stupa after defeating King Elara. After placing the Buddha relics in the sceptre, he had gone to Tisawewa for a bath leaving the sceptre. After the bath he returned to the place where the sceptre was placed, and it is said that it could not be moved. The stupa was built in the place where the sceptre stood. It is also said that he remembered that he partook a chilly curry without offering it to the sangha. In order to punish himself he built the Mirisavetiya Dagaba. The extent of this land is about 50 acres (20 ha). Although the king Kasyapa I and Kasyapa V renovated this, from time to time it was dilapidated. What stands today is the renovation done by the cultural Triangle Fund.
Lankarama is a stupa built by King Valagamba, in an ancient place at Galhebakada in the ancient kingdom of Anuradhapura, Sri Lanka. Nothing is known about the ancient form of the stupa, and later this was renovated. The ruins show that there are rows of stone pillars and it is no doubt that there has been a house built encircling the stupa (vatadage) to cover it. The round courtyard of the stupa seems to be 10 feet (3 m) above the ground. The diameter of the stupa is 45 feet (14 m). The courtyard is circular in shape and the diameter is 1332 feet (406 m).
Eth pokuna (Elephant pond) is an ancient man made pond situated close to Lankaramaya. It is 159 meters in length 52.7 meters across and 9.5 meters in depth with the holding capacity of 75,000 cubic meters of water.
The water to this pond has been supplied from the Periyamkulama Tank through a network of underground canals. These underground canals still work after so many hundreds years. This tank
probably has been used by the monks in the Abhayagiri Buddhist Monastery who amounted over five thousand priests.
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